Category: The Movement

Tuesday Morning Music Shuffle – Talking to Myself Mix

In the predawn gloom of a warmish wintery morning.  Backed by choirs of angels or at least by the steady thum of the engine and the slightly muted songs on the radio… driving the newly familiar route passing the same buildings and noticing anything that looks out of place. Past the way too many car lots along my way, filled with cars that never sell and contemplating the meaning of all existence and trying to stay awake. A meaningless, yet invigorating conversation with one of the many interesting characters that fate has brought into my life. Today, the discussion was about letters we would banish, alternate spellings we would outlaw.  Keep it simple… I suppose. 

Then my shuffle begins with a song that holds memories – don’t they all in one way or another?

Shuffle – after the JUMP!

1.  Lost Horizon by The Movement from City Without a Subway (vinyl rip) (1986)

Nowadays Richie Owens heads up The Farm Bureau and runs The Old Time Pickin’ Parlor, but back in those heady days of the mid 80s, he was the go to producer for new music in Nashville, and he headed up a nifty little band called The Movement who made some sweet neo-pop music.  I was fortunate to have seen The Movement live when they lead off an amazing evening of music in the Cat’s Records parking lot on West End Avenue.  We got Lost Horizon from a vinyl copy of City Without a Subway which we mentioned the other day, I also own a cassette copy of The Movement’s eponymous EP.  Up in the Amazon widget, the song is included from an excellent compilation of Nashville’s new music scene from the 80s called Return to Elliston Square 1979-1989.

2.   Etoile Polaire by Phillip Glass from Analog (2006)

Composition dates from the late 70s to 1980.  Analog marked a rare instance of Glass using recording as a means to aid in composition.  We got this off a Glass compilation released on Amazon which does not appear to be available any more.

3.   It Beats for You (Live)  by My Morning Jacket from Live from Terminal 5 – October 2010 (2011) 
Originally on the band’s 2005 album Z.  A previous live version was released on the 2006 double live album Okonokos.  This download was part of a series of free downloads put out by the band a couple of years ago.

4.  Foreign Points by Joseph Mooradian from a Bandcamp download (2012)
 Joseph Mooradian is a singer/songwriter currently in college in Sewanee, Tennessee. I’ve been a fan since I first heard him sing at a coffeehouse at our church – a few years ago.  Like me, he is a big fan of Damien Jurado, and his music features the dense sound, echo-like vocals and deep, thoughtful lyrics that mark Mr. Jurado.  Joseph Mooradian had found his voice, and I hope to hear more from him as the years go by.
Here’s a video of Mooradian doing a different song

5.  The Mermaid Parade by Phosphorescent from Here’s to Taking it Easy (2010)

 Alabama born Matthew Houck got his musical start as Phosphorescent in 2001 in Athens, Georgia.  More recently, he has called Brooklyn home. The Mermaid Parade is really cool, country-flavored song that I really like.

6. I Threw a Brick Through a Window by U2 from October (1981)

From U2’s second album. 

 “I was talking
I was talking to myself
Somebody else
Talk, talk, talking
I couldn’t hear a word
A word you said”

7.  Big Boned Gal by k.d. lang and the Reclines from Absolute Torch and Twang (1989)
 From the third album by k.d. and the Reclines. A Goodwill find from this weekend.  Fun stuff.

8.  Get It by Buffalo Killers from Dig. Sow. Love. Grow (2012)
Some pretty awesome rock music from this Cincinnati based band that was toured with the Black Crowes and been produced by a Black Keys member. Black is the new Black…. I guess.

9.  Love Shines by Ron Sexsmith from Long Player Late Bloomer (2011)
Long Player Late Bloomer is Sexsmith’s 12th studio album.  Love Shines features a gorgeous melody and beautiful vocals wrapped up in a near perfect pop song package.

 
 
 

 

 

       

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The Bluefields – In-Store @ Grimey’s – 5/17/2012

First of all apologies for the crappy cell phone pictures, there were people there with better camera equipment who took better pictures, so hunt them down.




The Bluefields have this released their first album, and they were booked to do an in-store performance at Grimey’s New & Preloved Music (one of the best record stores in the world – btw).  

Warner E. Hodges, Joe Blanton & Dan Baird
Dan Baird played bass and sang




So I posted a brief commentary on Facebook on this show as soon as I got home. 

Words can not express how awesome it was seeing The Bluefields this evening at Grimey’s New & Preloved Music.Warner E. Hodges Dan Baird and Joe Blanton brought the house down. – oh and I will try to find words to express how awesome it was tomorrow.



After I posted it, actually just before (as you will see from the last line), I thought, well I’m a writer and a music blogger so I best find some words to express how awesome it was.  Well it took me a couple of extra days, but here goes nothing.


When I approached Grimey’s, I saw the band standing out front. I got there early, and I had some time to think about this event. 


First of all, if you don’t know, I need to tell you about the Band:


The Bluefields are Warner E. Hodges (Jason & the Scorchers, Homemade Sin), Joe Blanton (The Enemy, Royal Court of China) and Dan Baird (Georgia Satellites, Homemade Sin)




Warner E. Hodges :


Memories: Seeing the Scorchers play Labor Day 1985 at Cat’s Records.  Such an amazing experience. The Movement (Richie Owens band who played one of my favorite song’s Lost Horizon) and the later Tim Kreckel and the Sluggers  opened the show and were both amazing, but the night belonged to the Scorchers.  From the first explosive note, you could see where that the name was appropriate.  The stage burned, and every moment was a joyous and infectious blur of twirling microphone and slinging guitar.





In the later part of the 80s, I got really into the local music scene in Nashville.  Bands like The Questionnaires and Walk the West and others.  I was still going to school in Cookeville, but whenever we could we would drive up to Nashville and catch a show (it was usually weekends at the Cannery) and at almost every show I attended, Warner Hodges joined the band for the encore and it was always the Rolling Stone’s Honky Tonk Women.







Flashforward:  2012 – I got to stand next to Warner’s mother, Blanche (a musician herself) and watch as Warner and the Bluefields tore it up. I got to tell her how much her son’s music had meant to me over the years, and she told me that he originally had not shown an interest in the guitar and that he had not begun playing guitar until he was ten.    Warner plays with such intensity and yet such ease, and he flashes this genuine and warm smile periodically throughout the show.


Joe Blanton:


Memories:  Around the same time that I saw the Scorchers for the first time, I remember hearing this local band on WRVU (sadly off the dial now) – The Enemy had this one song, Jesus Rides a U.F.O. that I loved. I remember going to see R.E.M. at Vanderbilt in November of 1985, and a friend pointing out the members of The Enemy in attendance.



A few years later (very few) The Enemy broke up and out of the ashes came Royal Court of China. To me Royal Court of China always had a larger than life feel.  They played blistering hard rock suffused with a Southern Gothic spirit.  Joe Blanton’s voice I remember most and the perfect blend of the two styles of music.  RCC got signed to a major label and made an amazing debut record.  After that, the band split with a couple of members forming The Shakers who took the Southern Gothic mysticism to new heights while Joe and some others carried on as Royal Court of China and made a stunning hard rock album.  I loved The Shakers and the hard rock RCC album, but I always missed that perfect fusion of the original lineup.  Still Joe Blanton’s guitar and vocals were always amazing.





Flashforward 2012 – Joe Blanton still has an amazing rock and roll voice, and he can play guitar pretty well, too.  Before the show, it was clear that he was the detail man of the band – setting up video cameras.


Dan Baird:


Memories:  I don’t remember the year exactly – maybe 86? But, this “new” band started getting tons of airplay on WRVU.  The Georgia Satellites.  They reminded me of the Scorchers in a way, but it was different, too. Then, I heard The Song, and damn if it wasn’t stuck in my head all the damn time.  RVU played it to death, but I never got sick of it.  This had happened before with songs I heard on WRVU – Peter Case’s Walk in the Woods comes immediately to mind.  But, then this funny thing happened.  Suddenly, this song began to get airplay on commercial stations and on MTV (and yes kids, MTV used to play music videos).  And wouldn’t you know it, this song made it to number one and Keep Your Hands to Yourself became and remains a iconic Rock n Roll song. The band ended up on Dick Clark’s New Years Rockin’ Eve.





Dan Baird has been making music, great music ever since.  As a solo artist and with his band Homemade Sin (of which Warner is a member).





Flashforward 2012 – When these three guitarists formed a band, Dan Baird got volunteered to play bass. Dan Baird, who I think has one of the most distinctive voices in rock, joked repeated about his voice and his ability to play the bass.  As I’ve before and I say again, I am a non-musician music lover, and so my take on music is always much more emotional than technical. So, I don’t know how Dan Baird’s bass playing would be considered by a bass player, but I can say that the whole band sounded great to me.

Overall, my overall impression was of these three world-weary musicians who have seen the highs and lows of a life in music and press on because it is who they are. What I heard in the songs of the Bluefields from their debut, Pure, was maybe not the pure youthful, reckless country soul of that early Scorchers show, but truthful, direct songs that told stories that we all know so well.  What I saw, was these veteran musicians having fun doing what they love.  And what I felt was truly blessed and fortunate to have the opportunity to witness it and to shake the hands of these men whose music made up such large part of my life.