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Fun-filled night at Coverbest at The Beast (The Basement East)… Terry Rickards always does a great job putting those events on… I really dug Matt Haeck doing Tom Waits, Darrin Bradbury doing Modest Mouse, Sarah Potenza doing Gillian Welch, and Tesla Rossa doing Beck… plus lots of inspiring conversations about music and East Nashville and creativity….
Tonight, Fats Kaplin returns to his Thursday Night residency at The 5 Spot – the penultimate week of this month-long (sans St. Patrick’s Day) event… I missed two weeks ago, and I do not want to miss this one… It is guaranteed to be some of the best music around and highly entertaining, too.
Later tonight, Chris Scruggs and The Stone Fox Five are playing what I think is their second show since the club that gave them their name closed unexpectedly. They will be at The Country with The Farmer and Adele opening. I have heard a lot about The Farmer and Adele, but I have not seen them yet.
I am off work tomorrow. I may try to do a Featured Friday Shuffle from home, but no promises… stay tuned.
Meanwhile, Thursday – means we throw it back like an undersized fish….
“Dead and Gone” by Blake Babies
Another from that live album recently released on Noisetrade. Blake Babies formed in Boston in 1986 and gave Juliana Hatfield her start. This recording is from a show for Emerson College on 5/9/1989. The song itself was released on the band’s 1989 album Earwig.
“Summer’s Cauldron” by XTC
In the interesting timing category… This song is the opening song from XTC’s 1986 album, Skylarking which was produced by Todd Rundgren. Apparently, Rundgren recently reignited a long standing “feud” with Andy Partridge about the album to which Partridge responded in long series of tweets…. anyway, I always liked the album… from this outsider perspective, it is an interesting bit of historical information. And anyway, I dig this song.
“Deacon Jones” by Louis Jordan
Disclosure time, my practice is to remove songs from my phone once I have featured them so I don’t have too many repeats – not to say a song may not reappear, but I try to avoid songs coming up again too soon after I featured them. Sometime – as in this case, I fail to delete the song. So – here is “Deacon Jones” which was featured two weeks ago (on another #TBT). What the hell, it’s a great and fun song.
“Gigantic” by Pixies
From Surfer Rosa (1988) – the band’s first solo album. And yeah – there is a bit of connection between this and a song later in the shuffle that I will not elaborate on…
“Born to Run” by Bruce Springsteen
The year was 1975, the album was Born to Run, the song was Born to Run… a true American rock and roll anthem…
“Calinda” by Jim Smoak and the Louisiana Honeydrippers
Bluegrass music is not often associated with Louisiana, but Jim Smoak who was born in South Carolina and played with Bill Monroe early in his career – was living in the Bayou State when he put together the Louisiana Honeydrippers and recorded this music back in 1960.
“The Big Johnson” by Neighborhood Texture Jam
From Funeral Mountain…. Neighborhood Texture Jam were loud and wild and often highly inappropriate… they also recorded some great songs (even songs like this one that you don’t always want to share in sensitive company)… This song connects with a song from earlier in the shuffle for reasons I will not elaborate on…
“Where Did All the Girls Come From” by Treat Her Right
From the fantastic self-titled debut from 1986 by Treat Her Right… speaking of connections – Treat Her Right like Blake Babies were from Boston. The album from which this song came was released in 1986 same as Skylarking (mentioned earlier). And on a personal note, this song asks the musical question that I often found myself asking in my reckless youth… #chickmagnet 😉 #ironichashtag #whyamIhashtagginginmyblogpost #lame
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We have arrived at Thursday. For the daily “theme” today, I decided upon the term, “Throwback Thursday”… honestly, I’m surprised no one has come up with this sooner…. I even came up with a hashtag (#tbt) for it. Clever aren’t I?
I think the concept is pretty self-explanatory. I hope to show that music in the past was extremely diverse and varied – in spite of what “Classic Rock” stations may lead you to believe….
without ado….
“You Don’t Give Up” (live) by Blake Babies
From a 1989 radio concert recording. This track includes announcements of upcoming shows including one with the awesome Boston band Buffalo Tom. It ends with a station identification.
“Directions” by Miles Davis
A thirteen minute live recording from a 1971 Newport Jazz Festival Europe performance. Taken from the album: Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4.
“Run Like Hell” by Pink Floyd
From the 1979 album, The Wall.
“Colors” by Minutemen
Clocking in at just over 2 minutes (rather lengthy for a Minutemen tune). This is from the band’s second full-length album, What Makes a Man Start Fires? and was compiled on the 1987 release Post-Mersh Vol. 1.
“Fearless Heart” by Steve Earle
From Guitar Town – one of my favorite albums of all time. A major part of my willingness to give “country music” a try.
“Rusholme Ruffians” by The Smiths
Our final track from Meat is Murder – the second album by The Smiths.
“Never Really Been” by Soul Asylum
Another tune from Made to Be Broken – the second studio album by Soul Asylum (the one with Humpty Dumpty on the cover).
NOTE: There was a heavy 1980s vibe (with the exceptions being the Miles Davis track and (just barely) the Pink Floyd song). That will not always be the case for #tbt, but it may frequently be the case, just because that was the time when I first came of age musically.
This crazy time of year… Here I am posting this on a Thursday evening. Circumstances, blah, blah, blah… Any way, let’s get to it…
Last night, I had a blast – another great show at The Basement (the original one). “Earie” Award winners, Richie Owens and the Farm Bureau put on another outstanding show that included a version of “Can’t Be Satisfied” featuring Richie Owens on the lap steel. Bassist John Reed and stand-up drummer Brian O’Hanlon were in fine form. I also got to see Saint Luke’s Drifters for the first time. They called their sound Rockified Country. Songs ranged from high energy rockers that brought to my mind the Scorchers to some very honky-tonkish country songs. Vocal duties were shared and each singer brought something unique to the band’s sound. I really enjoyed myself, and I hope to hear much more.
So, by my rough count, there will be seven more regular E2TG posts before the end of the year – not counting any weekend or holiday bonus posts. My plan is to hand out “Earies” each of those days with Wednesday December 30, being reserved for the 5th Annual Ear to the Ground Artist of the Year. Which I will for the first time dub, the “Golden Earier” Award.
But, I am getting ahead of myself. We have some “Earies” to give away today.
Prologue: I have been having a really good time handing out these awards. Even though the categories are sometimes a bit silly, the sentiment behind them is very real. I really want to write about and honor artists who have made a big impression on my in 2015 (and before in some cases). I could have just made a list or handed out awards without giving them names, but really, this is more fun isn’t it? I say all this to preface the fact that I have struggled a bit with what to call this next award. Flippantly, I thought about the Six Degrees Award – as my having met these remarkable people has moved me up a few degrees of separation from some of the my all-time favorite artists (and some of the most famous in the world). But, really that name would only serve to diminish the extraordinary artists they are in their own right.
So – I hereby name this award the “Legends in Their Own Right” Award. And I am going to just get to it before I overthink it and decide to change the name again….
1. Reckless Johnny Wales – The first time I encountered Reckless Johnny, I did not know who he was, but I suspected (correctly it turns out), that I was in the presence of someone remarkable. The next time, and when I finally got to meet him, I was standing on what can only be called Hallowed Ground – namely the Cash Cabin recording studios… if those walls could talk… and even though I did not hear the walls talk that night (although it would not surprise me if some who have been there have heard stranger things than that), I did get to hear some of Reckless Johnny’s stories about meeting Johnny Cash and many others. More importantly, as a result of that meeting, I received a copy of Reckless Johnny Wales’ American Heart, and any doubts that I might have had (I didn’t really) were tossed out the window. The music on that album demonstrates that the remarkable storied life (lives?) can and were translated into some memorable music. I have a full review in my plans for early 2016, so I will stop here for now.
2. Bebe Buell – Speaking of a life filled with stories… As perhaps one of the world’s most famous groupies, Bebe Buell experienced first hand some of the defining moments of the rock and roll era. I will leave it to you to read more about her remarkable life, but for me the most important thing is happening now. Throughout all of those interactions with rock and roll royalty, Bebe Buell was paying attention. Having relocated to Nashville a few years ago, Buell is now focused on her own music pursuits. I first saw her performing Tom Petty songs with the amazing Long Players, and then I saw her own show at 3rd and Lindsay, and I was impressed by her music and her stage presence. That night and again at the end of October, I also saw that she is still the ultimate rock and roll fan – which is obviously when she talks about and dances to the music of the Blackfoot Gypsies.
3. Julie Christensen (Stone Cupid) – Julie Christensen is another fairly recent transplant to our fair city. Christensen’s musical career includes being a part of one of the pioneering Country/Punk bands, The Divine Horsemen with her husband at the time, Chris Desjardins founder of the legendary Flesheaters – a band whose membership history reads like a role call of the very best of Los Angeles music of the late 70s to early 80s. Later, Christensen spent several years as a featured background singer with Leonard Cohen. She reunited Cohen for the now legendary I’m Your Man concert film and album. Upon, relocating to Nashville (and even before), Julie Christensen began working with some of the finest writers and musicians this town has to offer. Her band, now called Stone Cupid, features an incredible line-up. Sergio Webb and Chris Tench are two of the finest guitar players in a city that has a few… and the rhythm section features Steve Latanation (Agent Orange) and Bones Hillman who was member of Midnight Oil throughout there was most successful years. (UPDATE: There is reason I do not usually post late, I totally forgot to mention Stone Cupid’s new album The Cardinal which will officially be out early in 2016. And I wanted to mention, that Stone Cupid played during the final week of the original Family Wash, and that show was one my favorite live shows of the year.)
On a personal note, having met them all, I am I find myself more interested in the people they are and the music they are making now than I am in their remarkable past. But, to be honest, I will not walk away from a great story about some of the most important musical giants of our time…
To the shuffle (before it is Friday): (a regular shuffle – we’ll hop back into the season music next week).
“Think I Said Too Much” by Sugar and the Hi Lows
Another great track from one of Nashville’s best. From their self-titled album.
“Tom and Bob” by Blake Babies
More from that Blake Babies live album- available on Noisetrade. This song was on their debut album, Nicely, Nicely which came out in 1987.
“Attention Shoppers” by Crazy Aces
More music from Nashville’s premiere instrumental rock band, Crazy Aces.
“Camera Roll” by Jonas H. Sjøvaag’s Navyelectre
From Norway. I have really been digging the music of composer Jonas Howden Sjøvaag. The album is called Large Ensemble.
“Fool Man Runaway” by Some Kind of Illness (ft. CaoilfhionnRose)
We move on to another song from Some Kind of Illness from their self-titled album. This track features Manchester singer-songwriter Caoilfhionn Rose (her first name is pronounced Keelin). Two songs in and I continue to be impressed by this band.
“Take My Time” by Daphne Willis
Another track from free-spirited Nashville singer-songwriter Daphne Willis’ new EP, Get It. Seriously, get it!
“Little Wild One (No. 5) by Marshall Crenshaw
We jump next into the first of two songs from two of my all-time favorite albums. This is the opening track to Downtown, which was Crenshaw’s third album following his amazing self-titled debut and Field Day. Downtown was released in 1985.
“I Misunderstood” by Richard Thompson
Rumor and Sigh was released in 1991, and it still stands out as some of the best music of one of modern music’s most prolific and talented musicians.
“I Can’t Tell” by David G. Smith
We close out the shuffle with our first listen to First Love, the new album by singer-songwriter David G. Smith. Smith, like Julie Christensen, comes from Iowa and now resides in Nashville. I will have much more to say about this album – which features great songs and an incredible line-up of musicians. This was a great way to close out the shuffle this morning.
After today, there are only nine work days left in 2015. Which means no more than nine more days of the “Earies” (unless I hit panic mode and start posting on weekends which is not out of the question).
So the next award…
I call this one the “Far From East Nashville” Award.
The premise: I had a funny moment a while back when I was introduced as someone who writes an East Nashville music blog. It was meant as a compliment, and I took it as such, but it did give me pause. When I started writing Ear to the Ground (on a lark and with no experience writing about music) back in May of 2011, some interesting things began to happen. For whatever reason, when I wrote about Nashville bands and artists, I was generally ignored, but when I wrote about band’s from elsewhere, it seemed more likely that my posts would be acknowledged, appreciated, and shared. This is not a criticism of Nashville musicians. My take was, honestly, that the folks in Nashville knew that I wasn’t one of the “big players” when it came to music writing in Nashville. Meanwhile, folks from other places maybe didn’t know that and so they gave me a chance. I am forever grateful for the music and wonderful people I discovered and met during that period of Ear to the Ground, and my ear continues to be open to great music from any locale. But, in a very unintentional way, I have been able to meet and hear some of the amazing talents this town has to offer. Over the past year, in particular, I have noticed and maybe you have, too, that more and more Nashville artists (East or not) have been showing up in my posts. However, as I said, I still keep my ears open to wherever I am lead, and so this award goes out to International Artists who have been a big part of E2TG.
The Awards Go To:
1. Start closest to home: Brock Zeman has been on my radar for a while, but in 2015 he released, Pulling Your Sword from the Devil’s Back. I also was fortunate enough to see him three times this year. Once in an amazing round at The Bluebird Café, and later on subsequent nights at The Family Wash and The 5 Spot. Shoot, I almost consider Brock and his musical partner Blair Hogan to be honorary Nashvillians. Nevertheless, they are from Canada.
2. Also from our neighbor to the north: Velodrones/Bosveld. Again, Velodrones which is Stopmo Turt Darren has been on our radar for a while. In 2015, his project Bosveld released Veldbrand a very beautiful and unique collection of songs that combine several different and divergent music styles and wonderfully original way.
3. From a bit further away, Jeremy Gluck. You may recall back in the Spring or so, I think we had a Jeremy Gluck song in the shuffle for what seemed like weeks. We were spinning tunes from Memory Deluxe: I Knew Buffalo Bill 2 which was actually release in 2014. The album was a follow up to his 1987 album, I Knew Buffalo Bill – an album that featured Jeffery Lee Pierce of The Gun Club, Nikki Sudden, Epic Soundtracks, and others. Gluck was in the band The Barracudas, and more recently has been working on a project called Plasticon (and some other projects).
4. Getting further away: Artur U and The New City Limits. From Helsinki, Finland. Artur U and the New City Limits released their full length debut, Holiday from Eternity early this year. I fell in love with the high energy grooves. They are very closely connected to some of our friends at True Groove in Brooklyn.
5. The farthest from East Nashville award: The Transcendents. From Christchurch, NZ. I first connected with this band via their self-titled debut which was released late in 2014. In 2015, they released two EPs, Lay Where You Collapse and Common Ground. I really love the way this band creates unique and challenging soundscapes that still remain rooted in the kind of awesome pop music that I grew up listening to.
Congrats to the winners:
To the shuffle (I’m low on time!)
“Winding Down the Road” by Tom House
The shuffle is really in love with Tom House’s music and so am I. This is the title track and last song on House’s, Brock Zeman (Earie award winner) produced album. Last night, I had the distinct pleasure of seeing Tom House play his latest album with an incredible nine piece band that took up about all of the space of the small stage at The Basement. It was truly an amazing sounding show and some of the most original music coming out of Nashville.
“Your Way Or The Highway” by Blake Babies
Another from that Noisetrade released Live album my Blake Babies. This song was on their album Earwig.
“In the Meantime” by Chris Knight
The first song on Chris Knight’s Little Victories album. Knight will be playing The Exit/In on New Years Eve with Aaron Lee Tasjan opening.
“Circle of One” by The Lemonheads
A song that first appeared on the band’s 1989 album Lick. The version I heard this morning was a BBC Peel Session recording that was released on a four song EP called Bored on the Fourth of July.
“Maple Leaf” by Some Kind of Illness (ft. Daisy Davies)
One of the most recent albums to reach my ears… Some Kind of Illness are a Manchester band that first formed in 1999. They released their self-titled debut full-length in August and have been touring heavily in the UK and seem to be getting some excellent coverage across the pond. This track was my very first listen and I cannot wait to hear more. I really love the sound and look forward to writing more.
“Stomp It” by Crazy Aces
From the Continental Magazine Sampler – Nashville Instrumental Rock music purveyors, Crazy Aces – tell us to Stomp It, and we do and we do.
“Angelyne” (live) by The Jayhawks
We close things out with another from the Noisetrade issued live recording by The Jayhawks. This is a song that was originally released on Rainy Day Music.
Well, here we are. Another late posting. Tomorrow likely will be, too. Let’s jump to it. Plus by stupid bluetooth earphones have bitten the dust. Replacements are on their way.
We’ve been doing the “Earies” for about a week now. I hope everyone is enjoying themselves. I am coming up with winners faster than I am coming up with Award names…. but it’s all good. I just hope I don’t forget anyone, but I probably will…
Today’s award is the “I Guess That’s Why They Call It The Blues” Award.
The premise: I have known for some time that Nashville is the home to some amazing blues players and music, but that fact came into sharp focus for me this year. The other thing that came into sharp focus for me is that “The Blues” is not a narrow genre of music and it is very much alive and well in this middle year of the second decade of the new millennium. This award is meant to recognize some of the best of the blues and it so happens both of this years winners come from Nashville, and they both bring their own unique twist to the genre.
The Award goes to Ted Drozdowski’s Scissormen and Eight O’Five Jive.
Ted Drozdowski is a journalist and scholar of the Blues and an amazing guitar player. With his trio, he brings Mississippi to Nashville and rolls into a sweet psychedelic coating while telling stories and blowing minds. Love and Life was one of the best albums of the year and one of the best albums Ted Drozdowski has made. An electrifying live act (no stage can contain Ted and no utensils or glassware are safe from being used as a guitar slide.
Eight O’Five Jive play upbeat, swinging jump blues that evokes an earlier era while remaining firmly rooted in the present. Their album, Too Many Men, was smart and sexy and a whole lot of fun. They won a couple of awards at this years Nashville Independent Music Awards including Best Blues Artist, and now they can add an “Earie” to their award cabinet,
On to the shuffle: “Pissing At Will” by Ohioan
As I think I mentioned when I played them before, Ohioan are not from Ohio. They are from Tucson. This is the a-side to their recent single. I grabbed this off of Aquarium Drunkard a few months back, and I like it a bunch.
“Fits and Starts” by Brian Keenan
The title track from the new album by Brooklyn singer-songwriter Brian Keenan. I am really enjoying his new album.
“Goodbye Girl” by Squeeze
Originally the first single from Cool for Cats. Another in a long string of classic songs by the newly reformed Squeeze.
“None of That Now” by Michelle Lewis
Michelle Lewis is a Boston singer-songwriter. This track comes from her Live at Club Passim EP. The video performance I found is from Belcourt Taps here in Nashville.
“I’m Here to Get My Baby Out of Jail” by Porter Wagoner
I was introduced to this song on the Knitters’ Poor Little Critter on the Road album back in the latter part of the 1980s. It struck me (not for the first time) that here I was a good Tennessee boy, and it took a bunch of L.A. punks to introduce me to classic country and western music. Ah well… I do remember Porter Wagoner coming to my hometown and stopping the in the store where my Mom worked. So there is that.
“From Here to Burma” by Blake Babies
Another from the live Blake Babies album. In the introduction to this song, they say it will be on an album some day, and it was included on the band’s album Earwig.
“Cumberland Mountain” by Richie Owens and the Farm Bureau
2015 “Earie” award winners, Richie Owens and the Farm Bureau with a song and story that comes from the same source material as the book, “Cold Mountain”. At least I think that is what Richie told me… it had been a long night of big fun so I could have that wrong.
“Beggars and Choosers” by Soul Asylum
And we close out the shuffle with a song from one of my all time favorite albums, Hang Time.
PRESENTING THE 1st Annual E2TG Awards – “The Earies” (The Earies – it sounds kind of strange, but not really).
Well, it is December, and as I promised, we will begin our month long celebration of all things E2TG. Welcome to the first annual E2TG awards. Our red carpet welcome had to be cancelled due to rain in the Nashville area, plus we don’t have a red carpet, and someone forgot to book the Ryman. So, this will be an on-line awards show this year…
I thought long and hard about how to begin this award month, but finally it seemed fitting and proper to begin the 2015 awards with the artist who closed out 2014 by being named the Artist of the Year.
Presenting the first award for 2015 is ….. me… Thanks, Joe. The first award to be presented is the Flattery Will Get You Everywhere Award. It recognizes the artist or artists who have realized that the blog host is basically a big ball of insecurities and self-doubt and that a little bit of flattery (even somewhat dubious flattery) goes a long way.
This artist not only routinely dedicates one of his signature songs to me, but he also included my likeness on the album cover of his most recent release. I think “Bob” is a pretty handsome guy, even if I would not say that he is short or tall. The 1st ever “Earie” goes to Darrin Bradbury. Darrin is currently on tour out West, so I will accept the award on his behalf. Also, we don’t have actual statues. Maybe next year.
“Rules of Change” by Neil Young + Promise of the Real
Neil Young has been making music for over 50 years. About the only thing you can say for certain is that he has never settled into a comfortable place and sound, but has instead embraced and followed stylist changes and political movements while maintaining a pretty high level of integrity and consistently marching to his own beat. His latest album The Monsanto Years – addresses contemporary food industry issues and features Willie Nelson’s sons Lukas and Micah plus Lukas’ bandmates Promise of the Real.
“My Name is the Same” by Los Microwaves
This is another track from the 13 O’clock compilation of early and rare New Wave songs put out by Atlanta Label PPNW Records. Los Microwaves are a San Francisco band, and I believe this song was recorded sometime around 1980. I have really been digging hearing this music – most of which I missed out on the first time around.
“To Love Is to Fly” by Jonathan Tyler (feat. Nikki Lane)
I grabbed this song – from Jonathan Tyler’s latest album, Holy Smokes – after seeing Jonathan perform at “The Beast” at the beginning of Americana week. Nikki Lane joined him that night, and I am going to say that they sang this song together (until and unless someone corrects me). It was awesome, and it was good to hear it again this morning. Not a typo and not the Townes Van Zandt song.
“Read About Love” by Richard Thompson
The opening song and one of my favorites from Rumor and Sigh. I can relate all too well, and that is all I am going to say.
“Ice Forms on the Tips of Her Wings” by Smokey the Firebear
Our first (but not our last) appearance by Smokey the Firebear. Smokey the Firebear is Cade Williams another of those talented kids from Connecticut. I really don’t know what they put in the water in that state??? I just grabbed his entire and remarkably extensive discography for really cheap on Bandcamp. What I heard was actually the very brief reprise of the opening track of Smokey the Firebear’s Ohm Atlanta album. The video playlist has the entire opening song.
“Outta My Head” by Blake Babies
The fine folks at Noisetrade not only offer a great way to discover new artists, but they also occasionally put out some cool older releases. Recently, I downloaded a live album by the 80s-90s band Blake Babies called Live 5-9-89. Blake Babies was the band that gave Juliana Hatfield her start. This is the opening track for the live album. The song was on the band’s 1989 second album Earwig.
“AquaLung” by KATO
This song has been hanging around the playlist for awhile. This is another brief track – the last on KATO’s EP, A Summer in Space Beach.
“High Winds White Sky” by Bruce Cockburn
We go way back to Bruce Cockburn’s 1971 second album. This is the title track. An early listen to one of the most talented living songwriters.
“North Side Gal” by JD McPherson
Oklahoma singer-songwriter JD McPherson keeps the shuffle moving with a rave up, and the opening track of his 2012 Signs and Signifiers album.
“GTO” by Kevin Gordon
We revisit one of my favorite albums of the year – Long Gone Time (as I boldly proclaimed in my review) may well be Kevin Gordon’s best album yet. Revisiting and expounding on the locales and themes of his previous album Gloryland. GTO is a solid, toe-tapping rocker that slides in references to the complicated racial climate of the Deep South.
“Stoned” by Macy Gray
This recording came from the World Café Session mega-download I got a while back. The always amazing Macy Gray with a song that appeared her 2014 eight studio album The Way.
“Celestial Dance” by Cletus Kennelly and Lori Kelley
And we close out the shuffle with another song from popular DC area duo Cletus and Lori’s album, Lotus. Lori Kelley now resides in East Nashville and is making a name for herself on the local songwriting scene. I got to see the duo perform together earlier this year at Bobby’s Idle Hour.
E2TG: MUSIC/WORDS 